The concept was based on Albert Camus' book The Myth of Sisyphus. The stylized forms represent the life path and history of Sisyphus.
In addition to the final designs, a couple of drafts were also included on the website, which shows the curve and results of the the final design.
Client: Black Particles
Client: Lexcellence Ltd.
Typeface GT Super Display by Grilly Type
Photos by Bendeguz Csizmadia
Inspired by Moholy-Nagy’s experimental approach to typography, the piece combines Bauhaus references with a bold, contemporary visual language—aiming to balance homage with reinterpretation.
Through my UX/UI system, users can build their own nicotine-free device step by step — customizing every component, from materials and textures to flavors and exterior design. Each element is uniquely configurable, resulting in a completely tailored experience.
Client: Carnault
UI/UX design w/ Anna Kapi
Photos by 199X, Yu Chen
The brand was developed in collaboration with Budapest-based professional hairdresser Hegedűs Zoltán, combining expertise in haircare with a refined, modern visual system.
For the packaging and identity, I aimed to create a visual language that feels elegant and professional, while clearly communicating product quality and a luxurious user experience.
The artwork explores the psychological landscape of growing up in a stagnant, rural environment—balancing themes of lethargy, suppressed tension, the desire to break out, and underlying structures of power and hypocrisy.
The visual language is intentionally raw and fragmented, combining childlike, almost naïve drawings with aggressive, chaotic mark-making. Inspired by Basquiat, the composition builds a dense, symbolic world where distorted figures, rural motifs, and disjointed narratives collide—reflecting an unsettled, emotionally charged inner state.
The proposed visual identity consists of a main icon that can be adapted into four different phases, each symbolizing a different genre of Avigo's products- audio, stage, lightings and visual. These icon variations are based on the same grid system of circle slices, creating a cohesive and unified visual language across all product lines.
Typeface: Interton group
Disco
The visual language is built around a geometric, shape-driven lettering system, enhanced with exaggerated ink traps to achieve a bold, high-impact aesthetic. Drawing from 90s graphic culture—vibrant color palettes and expressive typography—the label reinterprets vintage cues through a contemporary lens.
Client: Invitro Brewing
Photos by Bendeguz Csizmadia
I created a concise visual identity system, accompanied by a set of illustrations built from the layered anatomy of katsu sandwiches, combined with graphic references to chopsticks and abstracted katsu forms.
Client: wearemorse and FoodReporter
Film Orchestra
The identity is defined by a modular system of circular and square forms, with curved lines echoing the orchestra’s stage presence and arrangement. These elements extend into a custom typographic logic, enabling key brand terms to be generated directly from the core visual structure.
Client: Hungarian Film Orchestra
I was responsible for both the cover design and the complete layout of the publication.
Client:
Moholy - Nagy University of Art and Design Budapest
Typeface:
Westeinde Caption by Hungarumlaut, TIALZ
Copies: 1800
Copyright © text and design 2018 mome
ISSN 1789-4530
The concept is built around clarity and structure, allowing each project to be showcased as an individual narrative while maintaining a cohesive overall system. The design emphasizes editorial thinking, placing equal importance on content hierarchy, readability, and visual rhythm.
By translating the exhibition experience into a catalogue format, the identity extends beyond the physical space, creating a lasting, archival presence for the awarded works.
Client: HFDA Creative Hungary
Typeface Mohol by Hungarumlaut
client: MOME
Moholy-Nagy Művészeti Egyetem
MA DIPLOMA
2017
Press: MPB Hungary
Photos : Harald Campean Kevin